Chart: Quality of Death analysis courtesy of the Economist Intelligence Unit:
Video: Check out this CNN Video about Sarah Palin Making Up a Word (h/t Lacey)
Watch: Kevin Devine "I Could Be With Anyone." Simple concept, but emotionally effective in my opinion
GQ: Is the third Ghostbusters movie happening? What's the story with that?BM: It's all a bunch of crock. It's a crock. There was a story—and I gotta be careful here, I don't want to hurt someone's feelings. When I hurt someone's feelings, I really want to hurt them. [laughs] Harold Ramis said, Oh, I've got these guys, they write on The Office, and they're really funny. They're going to write the next Ghostbusters. And they had just written this movie that he had directed.GQ: Year One.BM: Year One. Well, I never went to see Year One, but people who did, including other Ghostbusters, said it was one of the worst things they had ever seen in their lives. So that dream just vaporized. That was gone. But it's the studio that really wants this thing. It's a franchise. It's a franchise, and they made a whole lot of money on Ghostbusters...Okay. Well, how about Garfield? Can you explain that to me? Did you just do it for the dough?BM: No! I didn't make that for the dough! Well, not completely. I thought it would be kind of fun, because doing a voice is challenging, and I'd never done that. Plus, I looked at the script, and it said, "So-and-so and Joel Coen." And I thought: Christ, well, I love those Coens! They're funny. So I sorta read a few pages of it and thought, Yeah, I'd like to do that. I had these agents at the time, and I said, "What do they give you to do one of these things?" And they said, "Oh, they give you $50,000." So I said, "Okay, well, I don't even leave the fuckin' driveway for that kind of money."GQ: And it's not like you're helping out an indie director by playing Garfield.BM: Exactly. He's in 3,000 newspapers every day; he's not hurtin'. Then this studio guy calls me up out of nowhere, and I had a nice conversation with him. No bullshit, no schmooze, none of that stuff. We just talked for a long time about the movie. And my agents called on Monday and said, "Well, they came back with another offer, and it was nowhere near $50,000." And I said, "That's more befitting of the work I expect to do!" So they went off and shot the movie, and I forgot all about it. Finally, I went out to L.A. to record my lines. And usually when you're looping a movie, if it takes two days, that's a lot. I don't know if I should even tell this story, because it's kind of mean. [beat] What the hell? It's interesting. So I worked all day and kept going, "That's the line? Well, I can't say that." And you sit there and go, What can I say that will make this funny? And make it make sense? And I worked. I was exhausted, soaked with sweat, and the lines got worse and worse. And I said, "Okay, you better show me the whole rest of the movie, so we can see what we're dealing with." So I sat down and watched the whole thing, and I kept saying, "Who the hell cut this thing? Who did this? What the fuck was Coen thinking?" And then they explained it to me: It wasn't written by that Joel CoenGQ: And the pieces fall into place.BM: [shakes head sadly] At least they had what's-her-name. The mind reader, pretty girl, really curvy girl, body's one in a million? What's her name? Help me. You know who I mean.GQ: Jennifer Love Hewitt?BM: Right! At least they had her in good-looking clothes. Best thing about the movie. But that's all ugly. That's inappropriate. That's just… [laughs] That's why, when they say, "Any regrets?" at the end of Zombieland, I say, "Well, maybe Garfield."